2025/6/25-7/13 新竹市文化局文化藝廊
《觀看》
VIEW ． voir le bon
We should never forget where we came from. This will help us respect our origins and be grateful.
四季
江牡丹 ｜ 複合媒材
有如一個人無論性別的「一生」在時節裡的四季時期，從春季－開始萌芽孕育、夏季－勤耕成長、秋季－收穫長成，到冬季－靜置安享。作品裡的人物，以複合媒材做出半浮雕如血管般的肌理，來表達出對人物與物件複雜的情感與進一步視覺上的強調。
祈福
江牡丹 ｜ 複合媒材
源自迪化街的迎神賽會傳統，台灣民俗傳統陣頭文化的專注與專業，吸引衆人ㄧ路跟隨的從街頭走到街尾。遊行的隊伍分成小隊，分別扮相不同神明，加上特殊的踏步舞。在祭祀、廟會喜慶，透過演出來感謝神明，有著安宅鎮煞、祈福改運的民俗功能。
種子
江牡丹 ｜ 複合媒材
大學時從桃園北上到台北念書，不覺得離鄉背井，假日就可以回家。在2002年有機會到法國里昂遊學。回台後偶然發現自己在法國里昂的日子的我像極了樹上掉下來的種子飄落在里昂，差一點沒落地生根。只在里昂四處飄遊。
人類的起源
洪寧 ｜ 壓克力
不忘記自己的根源，能讓我們尊重且珍惜根源。整幅畫作由七個「人類的起源」來自「生食與熟食」Le cru et le Cuit神話故事所組合而成，而整個作品組合起來呈現的是盤石開天闢地，將清輕的氣上升成為天，濁重的氣下沉為地。
火的起源 1-1 ~ 1-2
野豬的起源 2-1 ~ 2-2
魚毒的起源 3-1 ~ 3-5
負鼠的起源 4-1 ~ 4-2
煙草與女人的起源 5-1 ~ 5-3
栽種植物的起源 6
星星的起源 7-1 ~ 7-2
▶ 火的起源 The origin of fire
To get fire from the bird of prey who was master of it, the demiurge Kumaphari pretended to die and to decay. The urubus devoured his body, but the eagle had put the fire in a safe place. The demiurge then pretended to die in the form of a roebuck, but the bird was not taken in. Finally Kumaphari took the form of two shrubs in which the eagle decided to put his fire. The demiurge got possession of it, and the eagle agreed to teach him the art of producing fire by friction.
▶ 栽種植物的起源 The origin of cultivated plants
In olden days the Caraja did not know how to clear land for cultivation. They fed on wild berries, fish, and game. One night the elder of two sisters was gazing at the evening star. She told her father that she would like to have it to play with, and he laughed at her. But the following day the star came down from the sky, into the hut, and asked to marry the daughter. He was a bowed, wrinkled old man with completely white hair, and she would have nothing to do with him. Moved by his tears, the younger sister married him.
The following day the man went to talk to the great river and walked in the water. As the water flowed between his legs, he picked up heads of maize, manioc cuttings, and the seeds of all the plants that are grown by the Caraja today. Then he went off into the forest to make a garden, and forbade his wife to follow him. She disobeyed him and saw her husband change into an extremely beautiful young man, richly clad, and with decorative paintings all over his body. The elder daughter claimed him as her husband, but he remained faithful to the younger. The elder sister turned into a nocturnal bird with a mournful soung.
城市裡的美好
洪寧 ｜ 壓克力
每個國家不同的街景和人文風情，但不變的是大自然與人類共存的空間因衝突而產生的不同線條和頻率色彩。不同氣候及土壤導致不同種類的植物生長，卻與當地城鎮的直線式建築互相交錯，產生不同的氛圍。
《觀看》江牡丹 x 洪寧 藝術聯展
將觀者的視野，從當下的方寸之地引領到海洋的另一端，再回到源生根本地的文化和色彩。在《觀看》這一場江牡丹及洪寧母女雙人聯展中，囊括歐洲景致、美式色彩以及臺灣習俗文化。
透過不同媒材搭配肌理的呈現，以創作時所觀景象的光影和色彩明暗，經過感受的轉化，融入在畫作中呈現出不一樣的情境和空間。畫面構成中所衍生的肌理，賦予畫面動感，不只是有具象的形體舞動，更有抽象的空間氣氛流動。形塑一場觀者與畫作間的對話和情緒感染，在「觀看」之間尋找到屬於觀者自我對於畫作而引發的聯想和觸動。
以畫作留駐的不只是具象上的形體外觀，還有景象所觸發的感受，進一步衍生於心裡的漣漪。
新竹市文化局文化藝廊
展覽期間： 2025 年 6 月 25 日至 7 月 13 日
展覽地點：新竹市文化局文化藝廊 新竹市中央路109號1樓
開放時間：每週二至週日 早上9點至下午5點 (週一休館)
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